Tuesday, February 18, 2020

Dialogue

Exactly twenty-five minutes later, a dusty pickup truck with oversized tires came barreling down the road. My pizza had arrived. To my surprise, the young manager was behind the wheel.
“Dude!” he cried, jumping out of the car. “You’re mad. This is awesome!”
He pulled the pizza off the passenger seat and opened the box. It was masterfully crafted, almost as high as it was wide, with lots of pineapple and olives piled on top. It looked like something you’d feed a rhinoceros. I paid the tab, thanked him, and prepared to charge on.
“You’re gonna keep running?” he asked. “Don’t you want a lift?”
“Now that I’ve got some fuel,” I answered, holding up the food, “I’m going to put it to good use.”
“But how far are you gonna go?”
“I’m headed to the beach,” I said.
“To the beach!” he cried. “Dude, Bodega Bay’s at least thirty miles from here!”
Actually I was heading to the beach in Santa Cruz—over 150 miles from here—but I didn’t think either of us was prepared to face up to that reality.

Thursday, February 13, 2020

Sylvia Plath Movie

https://www.youtube.com/watch?v=--WaPwzARdQ

Mary Karr

In her memoir Mary Karr uses all kinds of symbols, images, the landscape, weather, etc.. to symbolize the chaos that was in her life as a child.  Give me three examples   (Quote from text)  of these, and explain how they enhance the reader's understanding and involvement with her memoir.

Tuesday, February 4, 2020

Characterization in memoir

Writing exercise #1: The thumbnail sketch
Chose a character and describe him (or her) in two colorful sentences. Make one sentence something visible, such as hair style or a way of dressing. The other sentence might be something physical – a gesture, tick, or mannerism. Combine these two sentences for a thumbnail sketch.
Writing exercise #2: Rounding out your characters
If you have an unsympathetic character in your story (and most of us do) make a list of her (or his) more appealing personality traits. You might describe a mean-spirited person who possesses a rich sense of humor, for instance, or a self-centered person with a surprising generous streak.
Writing exercise #3 Be in the “now” of the past
Close your eyes and mentally return to an episode in your memoir. Take your time setting the scene. Think of it as building and painting a stage set; try to recreate all the visual and sensory details as accurately as you can. Once you have the setting firmly in mind, visualize the scene unfolding around you. Feel, smell, see and hear what you did then. Notice who you are in the past, reinhabit your former self. If the scene involves another person or a conversation, have that conversation. Glance around you as you imagine it, just as you did then. Notice all the details (you may chose not write about all these, but being aware of them will enrich your recreation.)